Welcome to the Paralympic Games!

Go Team USA! Athletes and support staff gather for a group photo. Photo courtesy of Wes Dunham/USPEA.

Many people are aware that the 2012 Paralympic Games commenced yesterday with the opening ceremony. Fewer seem to understand that the Paralympics are always held in the same venues as the summer Olympic Games, which conclude a short time before the Paralympics begin.

For 2012, that means horses and riders are in Greenwich Park, site of the 2012 London Olympic equestrian events. In the Paralympic Games, dressage is the sole equestrian sport. Paralympic competition is for athletes with physical disabilities.

Paralympic-level dressage, like its able-bodied counterpart, is governed by the International Equestrian Federation (FEI). Para-dressage horses and athletes undergo the same level of scrutiny (veterinary inspections, drug testing, and so on) as those at the Olympic Games, which wrapped up earlier this month.

In some ways, para-equestrian competition is more complicated than "regular" dressage competition. First, before they can participate, riders must undergo a process known as classification, in which specially trained officials assign them a "grade" based on the severity of their disability. Grade Ia riders are the most profoundly disabled, and Grade IV riders are the least.

Naturally, each grade has its own FEI tests. The Grade Ia tests are walk-only. Grade Ib includes trot. Grade IV, the most challenging, includes walk, trot, and canter; shoulder-in and half-pass in trot; simple changes of lead; collected, medium, and extended paces; and half-pirouettes in walk.

Team USA 2012 Paralympic Games chef d'equipe Missy Ransehousen jogs Lord Ludger, owned by Jessica Ransehousen and ridden by Rebecca Hart, at the veterinary inspection. Photo by Lindsay Yosay McCall.

Before yesterday's opening ceremony, the Paralympic horses underwent the veterinary inspection. There are 77 horses at the 2012 Games, from 27 nations. There are fifteen teams and nineteen individual competitors.

All four of the US entries passed the veterinary inspection. They are:

Lord Ludger (pictured), a 20-year-old Oldenburg gelding owned by Jessica Ransehousen and ridden by Rebecca Hart, 27, Unionville, PA (Grade II)

Bonifatius, a 14-year-old Hanoverian gelding owned and ridden by Dr. Dale Dedrick, 57, Ann Arbor, MI (Grade II)

NTEC Richter Scale, an 18-year-old Shire-cross gelding owned by Kai Handt and ridden by Jonathan Wentz, 21, Dallas, TX (Grade Ib)

Western Rose, a nine-year-old Oldenburg mare owned by Wesley Dunham and ridden by Donna Ponessa, 51, New Windsor, NY (Grade Ia).

Competition Gets Under Way 

Paralympic equestrian competition opened today with FEI Para-Equestrian Team tests for Grades II and Ib. Team USA's Rebecca Hart on Lord Ludger finished a strong fourth in the Grade II test with a score of 69.095 percent. Teammate Dale Dedrick on Bonifatius was nineteenth with 60.286 percent. Topping the leader board were Natasha Baker of Great Britain (76.095), Britta Napel of Germany (72.571), and Lauren Barwick of Canada (72.095).

There was another strong US showing in the Grade Ib Team test: a fifth place for Jonathan Wentz and NTEC Richter Scale (70.364 percent). Finishing ahead of Wentz were the legendary nine-times Paralympic gold medalist Lee Pearson of Great Britain (74.682); Josef Puch of Austria (73.636); Joann Formosa of Australia (71.955); and Katja Karjalainen of Finland (70.909).

On deck for tomorrow: Team tests for Grades IV (9:00 a.m. London time), III (1:15 p.m.), and Ia (3:45 p.m.).

It's Not over Yet!

I'm suffering from Olympic withdrawal today.

Last night, I watched as much of the taped NBC coverage of the closing ceremonies as I could before the jet lag caught up with me. I drank in all of the highlight reels, feel-good-story recaps, and other coverage of the past two weeks--because, crazy busy as I was with Olympic equestrian coverage, I'd missed it all.

The Tower of London provided a striking backdrop for the Olympic rings in the Thames. Photo courtesy of the International Olympic Committee.

By most accounts, the 2012 London Olympic Games were a smashing success. The events were well run and the venues were well received by athletes and officials alike. The city, endlessly fascinating in its own right, proved a striking backdrop and a photographer's delight. The normally reserved British people threw themselves into the Olympic spirit, welcoming visitors and appearing to thoroughly enjoy themselves and the spotlight on London. The royal family participated. British rock stars participated. Even Mother Nature cooperated, giving London a nearly complete respite from the torrential rains that had plagued the city earlier in the summer.

The Olympic equestrian events were positively history-making. Great Britain won team gold in jumping and then claimed both the team and the individual dressage gold medals, a first in Olympic history. The largely British crowds at Greenwich Park went mad with joy; I think they did the wave at least ten times around the entire stadium after Charlotte Dujardin on Valegro won the individual dressage gold. And Dujardin's 90-plus Grand Prix Freestyle score set an Olympic record, causing even more pandemonium.

Residing as I do in a country that is lukewarm at best to equestrian sports, it was really fun to see hordes of spectators crowding around individual dressage medalists Dujardin, Adelinde Cornelissen, and Laura Bechtolsheimer, following the three women en masse as they made their way from the medal ceremony to the press-conference room. In this world, for this moment, dressage riders were superstars, with photos being snapped like mad, and tickets and pens being outthrust with requests for autographs.

London was fab...the Olympics were fab...the only thing that wasn't fab was that our wonderful event, jumper, and dressage riders couldn't seem to catch a break at these Games. It was the first time since Stockholm 1956 that the USA won no Olympic equestrian medals at all. Ouch. We equestrian enthusiasts get to know (or feel as if we know) our sports' top performers. We know how hard they work and how talented their horses are, and we feel for them when they try so hard for the brass ring and miss. But we also know that you don't get to the top without mental toughness, and we know our riders will be right back out there fighting in just two years' time, at the 2014 Alltech FEI World Equestrian Games in Normandy, France.

So if the end of the Olympics and the lack of big celebrations for Team USA have you feeling down, chin up! as the Brits might say. The 2012 London Paralympic Games are just over two weeks away. The US Paralympic dressage team looks to be very strong, and we'll be bringing you news and photos from London once again. And if ever you needed something to boost your spirits, the sight of an otherwise physically disabled rider dancing with a beautiful dressage horse is sure to bring a smile to your face.

Meanwhile, if you can't get enough from the London Olympics and you're a United States Dressage Federation member, you're in luck. We'll be featuring more great photos in the November issue of USDF Connection, the USDF member magazine. Best of all, I'll be bringing you my exclusive interview with British FEI 4* judge Stephen Clarke, a member of the 2012 Olympic dressage ground jury. Mr. Clarke is a soft-spoken British gentleman of the first order--but he doesn't tiptoe around his opinions. Don't miss it.

Cheerio from London, and good luck to our Paralympians!

A Doomed Encounter with Dressage

Dear Simon*:

I’m writing to tell you I’m sorry that things between us had to end this way.

From the first moment I saw you, somehow I knew that our relationship wasn’t meant to be. There you were, all insouciance and carefully cultivated five o’clock shadow, at the Olympic equestrian press tribune at Greenwich Park, awaiting the start of the Grand Prix Freestyle, the individual dressage medal final. When I saw the eager young female volunteers cooing over you and asking for photos, I knew I didn’t stand a chance.

An apparently well-known columnist, you obviously were there only to check out the strange sport in which Great Britain had recently won a gold medal. We had a brief exchange, you and an equestrian-journalist colleague and I, and I could feel your lack of interest. When one of your only questions about dressage was “If he shits in the ring, does he lose points?”, I knew I’d lost you forever. I love the sport and would have been happy to share it with you; but Simon, you just didn’t seem to care.

When I opened the following day’s paper to find your assessment of dressage, I saw that my instincts had been correct. Your disdain for dressage, your lack of awareness that Great Britain in fact had not been a shoo-in for gold, your failure to spell a horse’s name correctly—these saddened me but did not surprise me. Even your mention of me as one of the “grizzled American ladies” in the press tribune didn’t come as a complete shock, although I must confess I thought it was a tad below the belt.

Simon, I would like to leave you with one parting thought. On that bright and sunny day in Greenwich, you claimed that you “do not believe in sunscreen.” Let’s wait a few years and we’ll see who’s more grizzled.

Sincerely,

Jennifer

* Not his real name.

A New Dressage World Order

Charlotte Dujardin and Valegro of Great Britain on their way to victory in the Grand Prix Freestyle and individual Olympic gold. Photo by Jennifer Bryant.

The Germans have been toppled off the dressage pedestal. The Dutch have lost their grip on the top spot. There's nary a Dane nor a Swede to be seen. What has dressage come to?

What it's come to is a complete erasure of the conventional wisdom about which nations do and do not belong on the dressage world stage. If there was any doubt about Great Britain's dominance after it won 2012 Olympic team gold on August 7, those doubts were wiped away when two British team members stepped back on the podium today to claim individual Olympic dressage gold and bronze.

The 26-year-old phenomenon Charlotte Dujardin rode Valegro to a movie-soundtrack medley including The Great Escape and Live and Let Die, which segued into canter pirouettes to the bonging of Big Ben, extended canter to "Pomp and Circumstance," and passage to John Williams's "Summon the Heroes," better known as the Olympic theme we hear on TV. Together the musical selections made for an enjoyable freestyle; my main quibble would be over some choppy edits and musical transitions.

British fans go wild after Charlotte Dujardin's score of 90.089 went up on the board. Photo by Jennifer Bryant.

"With the Olympics being in London, I wanted something special," Dujardin said of the freestyle. She described being "totally unprepared" to do a freestyle until she rode a Grand Prix Special test at the 2012 CDI Hagen (Germany) to which organizers used The Great Escape as background music. "I thought it was brilliant, and I thought that's what I'm going to do: I'm going to have a British theme. I went back to Tom Hunt, the composer, and I said I want a British theme, and I want Big Ben, and I want all the other stuff. And he was like, 'I'm not sure if I can do that.' And I was like, you can, and he did, and he produced an amazing freestyle, and it's really, really great to ride to."

The musical selections suited the ten-year-old Dutch Warmblood gelding (by Negro), who executed a technically outstanding test marred only by a bobbled transition from an extended canter down center line to passage at D. Judges Stephen Clarke (C), Leif Tornblad (K), Wim Ernes (E), Jean-Michel Roudier (H), Maribel Alonso (M), Evi Eisenhardt (B), and Gary Rockwell (F) awarded Dujardin's effort a technical average score of 86.750 percent and an artistic average score of 93.429 percent for a combined average of 90.089 percent--an Olympic Games record.

"It's unbelievable," said an emotional Dujardin afterward. "[Valegro] felt tired, but he still gave me everything. I can't believe it was only last January that we did our first Grand Prix, and now we have two Olympic gold medals."

Individual silver medalists Adelinde Cornelissen and Parzival of the Netherlands. Photo by Jennifer Bryant.

Finishing a close second for the individual silver medal was the Netherlands' Adelinde Cornelissen on Parzival. Showing great musicality to pleasantly amped-up versions of The Nutcracker Suite, the Dutch pair earned marks of 92.286 (artistic) and 84.107 (technical) for a total score of 88.196 percent.

Parzival's piaffe to the "Dance of the Sugar Plum Fairy" was a highlight of Cornelissen's freestyle, as was his extended canter to the "Russian Dance." The routine featured numerous double pirouettes, clearly one of Parzival's strong suits. The fifteen-year-old Dutch Warmblood gelding (by Jazz) was short in the neck at times in the extended trot, and later piaffes started to get a bit croup-high.

Stephen Clarke, who served as president of the ground jury today, said of the rides: "I think the first two horses were very close. The impression we had was that Adelinde had huge power and expression, but for us there needed to be a little more lightness and self-carriage. You could see sometimes that the horse crosses his jaw a little bit, so that took down the harmony mark a touch.

"Charlotte's [horse] generally has a little more self-carriage but maybe not quite as much power and expression in some of the piaffe-passage," Clarke continued. "So they were very close together. I'm sure lots of people will have different opinions, but our decision was for the harmony."

Of her ride, Cornelissen said: "Parzival felt great. I think it has been one of his best tests ever. I gave it all."

Great Britain's Laura Bechtolsheimer exults after her bronze-medal-winning ride aboard Mistral Hojris. Photo by Jennifer Bryant.

Dujardin's gold-medal teammate Laura Bechtolsheimer and her longtime partner, Mistral Hojris, had a lovely interpretation of music from The Lion King. "Alf's" movement harmonized well with the music, including a passage half-pass to a piaffe pirouette that was right on the beat, and a piaffe-passage tour that showed great musical interpretation. Alf's movement looked a bit flatter than in the Grand Prix Special, but Bechtolsheimer was exuberant at the conclusion of her performance, which earned a technical score of 80.679 and an artistic score of 88.000 for a combined total of 84.339 percent and the individual bronze medal.

"Today I wanted to do him justice," Bechtolsheimer said, referring to the little mistakes of her previous tests at the 2012 Olympic Games. "I wanted to go out and enjoy the atmosphere and enjoy riding to an awesome freestyle in front of so many spectators and fans. He rose to the occasion. He gave me a very special ride. I felt like finally I'd done him justice."

Anky van Grunsven thanks Salinero for a job well done. Photo by Jennifer Bryant.

The previous Olympic individual champion, the Netherlands' Anky van Grunsven on Salinero, ended the eighteen-year-old Hanoverian gelding's (by Salieri) competitive career on a high note. Salinero gave his best performance of these Olympics, and in fact it's the best I've ever seen him look. He showed greater softness over his topline and relaxation to a French-themed medley that showcased van Grunsven's famous freestyle artistry. The freestyle was so good that I wouldn't have been surprised if she had medaled. The ride scored 77.714 (technical) and 86.286 (artistic) for a combined score of 82.000--and I actually thought it might have deserved a tick higher.

"I am not sad. It has been an emotional week, but it was always in my head that it was my last time, and I wanted to enjoy it," van Grunsven said afterward.

You can tell everything you need to know about how Steffen Peters felt about his GP Freestyle on Ravel by the expression on his face. Photo by Jennifer Bryant.

The other emotional ride of the day, unfortunately not in a good way, was that of the lone American rider to qualify for the Grand Prix Freestyle. Steffen Peters and Ravel's ride to music from the movie Avatar was artistically compelling but riddled with minor mistakes. Supporters, including Peters' wife, Shannon, teared up watching the ride, which Peters acknowledged afterward was indeed Ravel's competitive swan song.

"We did a super warm-up," Peters said of the freestyle. "We can't blame the heat; we are used to that, and I had plenty of horse. There were just too many mistakes. That is it for Ravel. He is retiring now to his owner's [Akiko Yamazaki] stud in California. I will remember him for his great career. If you put it all together, today was only a glitch. He has given us so much, and it is so sad, but it was not quite happening today."

Endings are always a little sad. The 2012 London Olympic Games have been a thrilling and memorable experience. The organizers did a superb job, and the Greenwich Park venue received accolades from every rider, veterinarian, and official I talked to. Over the past fourteen days we've seen outstanding displays of horsemanship, and we've seen the sport of dressage lifted to new standards. I will go home with memories of the friendly and welcoming staffers and volunteers and the hospitable locals, who seemed to enjoy sharing Greenwich and London with us. But I will also go home feeling sad for the American riders and their wonderful horses, owners, and supporters who worked so hard and yet will go home empty-handed.

Medals aren't everything, but at this level they are of course what competitors are striving for. Teams and individuals want to bring home medals to make their nations and their supporters proud. I know that Steffen Peters in particular is having a bittersweet evening, for this is not how he wanted to end Ravel's career. But I think I speak for the American dressage community when I say that we are proud, we appreciate Ravel's incredible legacy to US dressage, and we look forward to seeing Steffen doing great things in the future. He is a great rider and a great horseman, and his own legacy, although secure, is far from over.

Grand Prix Freestyle Order of Go

Tomorrow, August 9, is the finale of the 2012 London Olympic Games equestrian competition: the Grand Prix Freestyle, which is the individual dressage medal final.

The top 18 horses and riders from the Grand Prix and the GP Special qualified to contest the Freestyle, which commences at 12:30 p.m. London time. Of the US riders, only Steffen Peters and Ravel have made the cut.

The Freestyle will decide the individual medals. Scores from the GP and the Special served as qualifiers only for individual-medal purposes and will not count toward final totals.

Judging by the quality we've seen this week, you're not going to want to miss the Freestyle. Set those alarms and get up early. Here is the complete order of go.

12:30 Valentina Truppa/Eremo del Castegno (ITA)
12:40 Patrick Kittel/Scandic (SWE)
12:50 Anna Kasprzak/Donnperignon (DEN)
1:00 Goncalo Carvalho/Rubi (POR)
1:10 Victoria Max-Theurer/Augustin (AUT)
1:20 Tinne Vilhelmson-Silfven/Don Auriello (SWE)

1:45 Steffen Peters/Ravel (USA)
1:55 Edward Gal/Undercover (NED)
2:05 Nathalie zu Sayn-Wittgenstein/Digby (DEN)
2:15 Anky van Grunsven/Salinero (NED)
2:25 Juan Manuel Munoz Diaz/Fuego (ESP)
2:35 Kristina Sprehe/Desperados (GER)

3:00 Helen Langehanenberg/Damon Hill (GER)
3:10 Dorothee Schneider/Diva Royal (GER)
3:20 Laura Bechtolsheimer/Mistral Hojris (GBR)
3:30 Carl Hester/Uthopia (GBR)
3:40 Adelinde Cornelissen/Parzival (NED)
3:50 Charlotte Dujardin/Valegro (GBR)

And the ground jury:
K: Leif Tornblad (DEN)
E: Wim Ernes (NED)
H: Jean-Michel Roudier (FRA)
C: Stephen Clarke (GBR) (president)
M: Maribel Alonso (MEX)
B: Evi Eisenhardt (GER)
F: Gary Rockwell (USA)

I Guess Orange Looks a Lot Like Red

Photo of the dressage misprints from HorseandHound.co.uk

London's Daily Mirror and Daily Express both published front-page photos of the bronze-medal-winning Dutch Olympic dressage team today instead of the team they intended: the gold-medal-winning British dressage team, of course.

The Express reportedly reprinted its front page, but not before it aroused the ire of the British Equestrian Federation and drew criticism from the well-known British equestrian magazine Horse & Hound, among others.

The Changing of the Guard

History-making victory gallop: Team GB dressage gold medalists Laura Bechtolsheimer on Mistral Hojris, Charlotte Dujardin on Valegro, and Carl Hester on Uthopia. Photo by Jennifer Bryant.

Those of us of a certain age remember a time when the thought of someone other than Germany or the Netherlands dominating dressage was unthinkable. Those nations were well-oiled machines that cranked out title after title--the headlines were continually dominated by Nicole, Isabell, Anky, Isabell, Anky--and seemed unstoppable.

The US began knocking on the door in the 1990s, earning a string of Olympic team bronze medals. But Great Britain? They weren't even taken seriously in the world of international dressage.

Well, the previously unthinkable happened today: Team GB won its first-ever Olympic dressage team gold medal (total team combined average score of the Grand Prix and today's Grand Prix Special: 79.979 percent), leaving in its wake silver medalists Germany (78.216) and bronze medalists the Netherlands (77.124). And Team USA? Sixth (72.435), behind Denmark (73.846) and Sweden (72.706).

For a while the US was keen to move up to the silver-medal spot on the podium; now I think we'd be happy just to get back on there again.

I don't mean to sound like Debbie Downer. I myself don't get too hung up on the "medal hunt," especially when horses, in all their unpredictability, are concerned. But after today, it's clear that the game has changed, and yesterday's stars don't quite measure up to today's.

Charlotte Dujardin and Valegro. Photo by Jennifer Bryant.

The 2008 Olympic individual gold medalists, Anky van Grunsven and Salinero, looked outclassed among this new breed of horses and riders. Salinero has not diminished over time; rather, the new stars--Charlotte Dujardin's mount Valegro chief among them--have raised the bar. Horses like Valegro, Carl Hester's mount Uthopia, Helen Langehanenberg's Damon Hill, and Dorothee Schneider's Diva Royal show great expression, range of movement, collection, and brilliance and relaxation, obedience, clear transitions, and suppleness. Gone is the brilliance fueled by tension. These horses still have plenty of spark; Diva Royal and Laura Bechtolsheimer's famously explosive partner Mistral Hojris got pretty wound up while their riders were on the medal podium, and during the victory gallop "Alf" looked more or less out of control. But they do not look that way in the arena.

Laura Bechtolsheimer and Mistral Hojris. Photo by Jennifer Bryant.

The changing of the guard goes beyond Great Britain's ascendance of the dressage throne. The entire 2012 German team (Langehanenberg on Damon Hill, Schneider on Diva Royal, and Kristina Sprehe on Desperados) consisted of Olympic Games first-timers. And with the absence of 2010 World Equestrian Games gold medalist Totilas and current rider Matthias Rath, there was no pre-anointed German superstar, either.

German team silver medalists Dorothee Schneider, Kristina Sprehe, and Helen Langehanenberg. Photo by Jennifer Bryant.

The one who stands to give the Brits the most competition in Thursday's Grand Prix Freestyle and individual medal final is Langehanenberg, whose Damon Hill, a Westfalen stallion by Donnerhall, has evolved from 2005 Five-Year-Old World Young Horse Champion to a supreme blend of athleticism and elegance. They earned a score of 78.937 percent for their effort in the Grand Prix Special today, behind Valegro (83.286), the Netherlands' Adelinde Cornelissen and Parzival (81.968), and Uthopia (80.571).

But back to the Brits. According to Carl Hester, the senior member of the team, "Hard work and dedication have paid off for all three of us." His own story is fairly well-known: Born in Sark on the Channel Islands, Hester began riding a donkey and moved to England at the age of sixteen to pursue a riding career. He spent many years in groom and apprentice-type positions, eventually working his way up to training, riding, and competing.

Dujardin, a former champion pony exhibitor, is Hester's protege and has trained with him for six years. "We are like a married couple, I guess; that's what everybody calls us," Dujardin said. "We do bicker. I shout at him; he shouts at me.

"I owe everything to Carl, really," Dujardin continued. "Training me, giving me fantastic horses to ride.  He's very special to me."

The dressage world got acquainted with Bechtolsheimer when she and "Alf," a 1995 Dutch Warmblood gelding by Michellino, won team and individual silver at the 2010 WEG. The granddaughter of a billionaire German department-store-chain founder, Bechtolsheimer has had a more privileged entree to the horse world than her teammates. But it's clear that all are on equal footing when it comes to their riding and their horses.

"It was very emotional for me at the end of Charlotte's test when I knew that we'd done it," Bechtolsheimer said afterward. "It wasn't just about beating the Germans; it was about beating everybody else, which in Olympic history Britain's never done in dressage. To come here and win any medal would have been amazing, but to come here and win gold--I don't think it's sunk in completely yet. I think we're all really proud of each other and proud of our horses."

Although I'm sure the Germans and the Dutch are a teensy bit disappointed not to have won gold, I think I can safely say that everyone at Greenwich Park today was thrilled to see the fine British performances rewarded and to see the evidence that dressage excellence is expanding geographically. But I feel for Steffen Peters, Tina Konyot, and Jan Ebeling, who had one of those competitions when things just don't go the way one would like.

A happy Jan Ebeling waves to the crowd after his GP Special test on Rafalca. Photo by Jennifer Bryant.

First to go for Team USA, Ebeling had a solid test with Rafalca to earn a score of 69.302 percent, putting them in 28th place individually, well out of the running for the GP Freestyle (only the top eighteen will advance). But he seemed genuinely pleased with his test on the steady fifteen-year-old Oldenburg mare by Argentinius.

"I was really happy with the horse; she went great, no real mistakes. She's been really good this whole week. She's given it all, and that's all I can ask," Ebeling said.

The "three amigos," as Ebeling called them--Rafalca's owners Amy Ebeling, Ann Romney, and Beth Meyer--were in the audience watching.

Steffen Peters and Ravel piaffe on center line. Photo by Jennifer Bryant.

Steffen Peters' mount, Ravel, had an unfortunate stumble on the center line after the first canter pirouette that Peters said cost them a few points. "But I'm very, very happy with that," he said, referring to his score of 76.254, the highest US score, which tied Peters with Germany's Kristina Sprehe for seventh place individually and qualified him for the Freestyle.

"The half-passes felt great; I pushed the changes a bit more forward than the other day; the pirouettes felt really good," Peters said. "The piaffe even felt better than the first day. I'm just excited that he still wants to do it after all these years," he said of the fourteen-year old Dutch Warmblood gelding by Contango, owned by Akiko Yamazaki.

Tina Konyot and Calecto V in the GP Special. Photo by Jennifer Bryant.

Of the US riders, only Peters will be riding in the individual medal final. Tina Konyot and her fourteen-year-old Danish Warmblood stallion, Calecto V (by Come Back II), had some mistakes in their test for a score of 70.651 and 25th place individually.

"I can feel that he is now a little bit tired," Konyot said.

The guard is changing in other ways, as well. Van Grunsven confirmed that Salinero will be retired after these Games. Although Peters said that "We haven't really discussed retirement," he did say that "This might be the last time that Ravel goes down center line" and that he "hopes he has one more really good freestyle." Hester confirmed that both Uthopia and Valegro will most likely be offered for sale after London. German team member Dorothee Schneider became tearful during the post-competition press conference when she confirmed that she, too, will lose the ride on Diva Royal, who is scheduled to go back to her owners.

So who knows where things will stand in two years, when the dressage world convenes for the 2014 FEI World Equestrian Games in Normandy? Peters thinks that Legolas, the young star who won this year's US Equestrian Federation national Grand Prix title, will be "ready to play with the big boys and girls" by then. We'll have to see where Uthopia and Valegro end up, who van Grunsven will be campaigning, and how Totilas is doing. I may be writing a completely different story in two years. I'd be delighted to be writing about the continued success of the British dressage team--but I wouldn't mind also being able to tell you about great news for Team USA.

Dressage Team Final Tomorrow!

Today my time is going to be devoted to the jumping team final (have you been following the competition? What a thrilling ending this is going to be!). Before I get too involved, I wanted to share with you the order of go for tomorrow's Olympic Grand Prix Special, aka the dressage team final. It all begins Tuesday at 10:00 a.m. London time.

If a rider is an individual (i.e., not competing for a team medal), I've put an (I) after the listing. Teams consist of three horse-rider combinations.

10:00 Anabel Balkenhol/Dablino (GER) (I)
10:09 Jessica Michel/Riwera (FRA) (I)
10:18 Mikaela Lindh/Mas Guapo (FIN) (I)
10:27 Patrick van der Meer/Uzzo (NED)
10:36 Emma Kanerva/Spirit (FIN) (I)
10:45 Jan Ebeling/Rafalca (USA)
10:54 Jose Daniel Martin Dockx/Grandioso (ESP)
11:03 Minna Telde/Santana (SWE)

11:25 Tina Konyot/Calecto V (USA)
11:34 Morgan Barbancon Mestres/Painted Black (ESP)
11:43 Tinne Vilhelmson Silfven/Don Auriello (SWE)
11:52 Steffen Peters/Ravel (USA)
12:01 Juan Manuel Munoz Diaz/Fuego (ESP)
12:10 Patrik Kittel/Scandic (SWE)
12:19 Ashley Holzer/Breaking Dawn (CAN) (I)
12:28 Victoria Max-Theurer/Augustin (AUT) (I)

1:45 Richard Davison/Artemis (GBR) (I)
1:54 Valentina Truppa/Eremo del Castegno (ITA) (I)
2:03 Goncalo Carvalho/Rubi (POR) (I)
2:12 Claudia Fassaert/Donnerfee (BEL) (I)
2:21 Dorothee Schneider/Diva Royal (GER)
2:30 Carl Hester/Uthopia (GBR)
2:39 Anne van Olst/Clearwater (DEN)
2:48 Anky van Grunsven/Salinero (NED)

3:10 Kristina Sprehe/Desperados (GER)
3:19 Laura Bechtolsheimer/Mistral Hojris (GBR)
3:28 Anna Kasprzak/Donnperignon (DEN)
3:37 Edward Gal/Undercover (NED)
3:46 Helen Langehanenberg/Damon Hill (GER)
3:55 Charlotte Dujardin/Valegro (GBR)
4:04 Nathalie zu Sayn-Wittgenstein/Digby (DEN)
4:13 Adelinde Cornelissen/Parzival (NED)

I don't know about you, but I can't wait!

A Collection of Londonisms

Between the jumping and the dressage team and individual medal finals, the next few days are going to be some of the busiest yet for us journalists in Greenwich Park. Before medal madness sets in, I thought I'd take a few moments of relatively quiet time to share some random observations gleaned from my time in London thus far.

A patriotic chap in the Olympic cross-country warm-up area.

Brits love their country. Americans like to think of themselves as the most fiercely patriotic, but the Brits could give us a run for our money. Everywhere I go, I see Union Jacks--hung from windows, draped over shoulders, on hats, on shirts, on dogs, painted on faces and fingernails. A woman on the Docklands Light Railway train en route to the Olympic stadium today was resplendent in a British-flag jacket and skin-tight white leggings covered with the Union Jack pattern.

Brits are polite. A pleasant greeting and liberal use of "please" and "thank you" score points. One day in the equestrian press workroom, an American journalist (not me!) demanded (not asked) that an announcement be repeated. I later overheard the press officer complaining about the "stroppy American."

The British also are famous for being generally orderly and rules-abiding--think queuing and things of that sort. They wait patiently until passengers have exited a train before embarking. Not all cultures do this, which makes for some culture clashes at the stations filled with Olympics-goers. I was standing behind an elderly British couple trying to disembark a train today. When people on the platform pushed past them to get on, the wife sniffed, "Manners...nonexistent."

It rains every day, usually around midday, even if the morning and afternoon are lovely and sunny. And by "rain" I mean "torrential downpour," usually accompanied by a frightful wind that will ensure that no umbrella or raincoat will keep you totally dry. It also frequently rains during the night.

Cross-country day was 68 degrees F - perfect for sunbathing in London!

When Londoners describe the weather as "hot," they mean "over 70 degrees F."

Streets and public spaces are clean. Perhaps some of it is Olympic put-your-best-foot-forward zeal, but seriously, I've seen no graffiti. No dog poop. No litter. Despite the fact that the Greenwich Tavern, situated just outside the venue gates, is mobbed with people every afternoon (especially the Dutch, clad as always in orange) who spill into the street with their pints and their clouds of cigarette smoke, I have yet to see broken glass or a butt on the ground. This morning I ventured through the Greenwich Foot Tunnel, a 1,217-foot-long pedestrian tunnel beneath the Thames that connects Greenwich to Canary Wharf. The entire tunnel is lined with white glazed tiles, with nary a mark on them.

The British may be reserved and stiff-upper-lip and all that, but get a few pints into them and that changes. They are just as sappy and sentimental about their horses as we are. They also feel that way about the royal family. As one equestrian official put it, "We'll complain about the monarchy and the expense, but we'll defend them until the last breath in our bodies."

I didn't frequent this establishment until I learned you can get pie without the eels. 

Potato chips are crisps, and they're all advertised as being made with "British potatoes" (as opposed to Irish potatoes?). Mash is mashed potatoes. Liquor is a gravy made with minced parsley (no booze) traditionally spooned over pie (minced-beef pot pie; no, I didn't go for the equally traditional version containing eels). French fries are chips. Bangers are sausages. Ice cream is served in a tub, not a cup. You order food to take away, not to go or for takeout.

Crisps come in interesting flavors, such as Cajun prawn and curry.

The first floor is the ground floor, and the second floor is the first floor.

The sign on the door of the dorm I'm staying in reads, "Turn key anti-clockwise." Makes it sound as if they're opposed to the idea of going clockwise.

The fact that people here drive on the left side of the road means that you have to look left before crossing the street. Despite the fact that nearly every crossing is emblazoned with LOOK LEFT in big white letters, a certain jet-lagged reporter nearly got run over by a double-decker bus her first day in London.

Those double-decker buses are everywhere--they're just regular city buses. So are bobbies (police officers) in those tall black bobby hats and nightsticks, and red phone booths (again, no damage, no defacing), and cool-looking taxis, the traditional black ones and some sporting wild patterns and logos.

Some typical London vehicles

Automobiles are small. There is nothing resembling a pickup truck in any way. I have spotted exactly one Honda CR-V and a couple of Range Rovers, and that's it for SUVs. Everybody drives smallish hatchbacks or sedans. Some of them are really cute. I've seen a few Mercedes models that bear a strong resemblance to my Honda Fit.

When people aren't driving (which seems to be often), they walk or ride bicycles, or they take public transit.

"Mate" means "dude" in a cordial sort of way, as best I can figure out. Speaking of cordiality, everybody ends conversations, both in person and over the phone, with "Cheers." Of course, with the accent it sounds like "Chizz" to my American ear, so maybe they're not really saying "cheers" at all. But I'd like to think that's what they're saying; it sounds so upbeat, and also as if cocktail hour were right around the corner.

Cheers!

Quick Change: From College Grad to Olympic Dressage Groom

Team USA 2012 Olympic dressage horse Calecto V and his groom, Lauren Donahoo. Photo courtesy of Lauren Donahoo.

Lauren Donahoo's life was falling into place.

A 2011 graduate of William Woods University in Fulton, MO, Donahoo had earned a bachelor's degree in equine science and had been accepted into WWU's graduate-assistant program, where she intended to pursue a master's degree in marketing. She was also engaged to be married, with a July 21, 2012 wedding planned.

So in October 2011, when she saw the Facebook post advertising the opening for a dressage groom, Donahoo ignored it.

A month later, the Facebook poster, Grand Prix-level rider and then-Olympic hopeful Tina Konyot, posted her ad again.

Donahoo, 23, of Dallas, TX, was a Facebook fan of Konyot's. She had hands-on horse experience, of course, but her equestrian resume was modest: She'd shown through Fourth Level and had never done  the FEI Juniors or Young Riders.

"I'd done regular shows, groomed multiple horses, ridden and shown multiple horses at shows, but I'd never done a CDI" (an FEI-recognized dressage competition), Donahoo says.

She answered the ad.

Something about it drew Donahoo--probably the part about "education, adventure, and a shot at making the Olympic team" and going to the London 2012 Games as the groom of a Team USA horse. And something about the young woman's dedication, work ethic, and willingness to take a chance obviously spoke to Konyot.

"Tina called in late November 2011," Donahoo says. "I came out for two and a half days" to interview for the position, "and two weeks later I started as her groom. I left the university, moved to Florida [Konyot's winter base], and started working December 31, 2011."

Donahoo and her fiancé, Jonathan Keeton, who lives in Missouri, had several heart-to-hearts before she decided to embark on the adventure. They agreed to postpone the wedding until November 23, although she's been a little too busy lately to give things like flowers and invitations much thought.

As Konyot's groom, Donahoo is responsible for the care, grooming, tack, feeding, and everything else pertaining to the Danish stallion Calecto V. Konyot wasted no time indoctrinating her new groom into the world of high-performance dressage: A short time after Donahoo started, they were off to a CDI. And another, and another--the entire chain of qualifying events leading up to the US Olympic dressage selection trials at Gladstone, NJ, in June. A few weeks after that, Donahoo and her charge were headed to London.

Being the groom for an international-level dressage horse and rider is hard work: Donahoo says she regularly puts in ten- to fifteen-hour days.

"My last full day off, away from the horses entirely, was in March," she says.

And the "education" part Konyot promised in her ad? Donahoo has learned that grooming at this level is show grooming, but "super-fine-tuned. It's the specifics of making one person and one horse going into the show ring absolutely perfect. The horsemanship is off the charts."

All the details, from the scheduling of Calecto's farrier and other caretaker appointments to the execution of every braid on his handsomely crested neck, fall to Donahoo. She fretted when she was not permitted to fly with him to London (not enough room) and is overjoyed that she will be able to escort her charge back to his summer home near Toronto when the Olympics are over.

As much as Donahoo has benefited from the experience--"I was at the training camp [in England] with the top six dressage horses in the US. You can't get that kind of opportunity anywhere else"--she admits to missing home, fiancé, and riding. (She hasn't ridden since she started working for Konyot, and she hasn't seen Keeton since March.) Although Konyot has "offered me a job for as long as I want," Donahoo hasn't made up her mind.

"It's hard to be out of the saddle," she admits, adding that she hopes one day to be in Konyot's place at an Olympic Games.

Still, it's been an adventure like no other, and Donahoo is thoroughly in love with the big bay stallion, who snuggles with her in his stall at home as well as in London. She still can't quite believe she's in London with an Olympic horse at the Olympic Games: a bit star-struck, she recounts her first time "walking out the main arena [at Greenwich Park], and there are Mistral and Valegro."

But at the same time, Donahoo recognizes that she seized the opportunity and has made the most of it.

"Don't be afraid to step outside the comfort zone," Donahoo advises other aspiring dressage professionals.

Oh, and before that wedding finally rolls around, Donahoo will have one more task to attend to: dress alterations.

"I've dropped, like, five dress sizes," she says.

Team USA Dressage Will Advance to the Grand Prix Special

Ravel's passage earned some of the highest marks for Steffen Peters and the US dressage team. Photo by Jennifer Bryant.

Steffen Peters' overall average Grand Prix score of 77.705 percent aboard Ravel boosted the American team's Grand Prix average to 72.801 percent, good enough for fifth place in the team standings.

The top seven teams advance to the Olympic Grand Prix Special; so Team USA will go forward to vie for an Olympic team dressage medal on Tuesday, August 7.

In the supple, relaxed, expressive style that we've come to expect from Ravel, the fourteen-year-old KWPN gelding (by Contango) put in an excellent Grand Prix test that earned raves from Peters.


"I am so excited. Ravel felt as supple as he has ever done. There were so many highlights that I can't wait for the next three days. I looked at Carl Hester's test [aboard Uthopia yesterday] and thought I might be similar, so my score is a thrill," Peters said afterward.


Peters was right: His 77.705 is just 0.15 percent behind Hester's 77.720. Hester currently lies in fifth place individually, and Peters lies sixth.


Leading the pack and helping to propel Great Britain to the top spot in the team standings is Charlotte Dujardin and Valegro, a ten-year-old KWPN gelding by Negro. Their score of 83.663 percent topped that of the Netherlands' Adelinde Cornelissen and the 1997 KWPN gelding Parzival (Jazz), who are second in the individual standings with 81.687 percent. Helen Langehanenberg and the 1999 Westfalen stallion Damon Hill (Donnerhall) of Germany are ranked third with 81.140 percent, and German teammate Kristina Sprehe on the 2000 Hanoverian stallion Desperados (De Niro) stand fourth with 79.119.

A "10" extended trot: Great Britain's Valegro and Charlotte Dujardin. Photo by Jennifer Bryant.

The seven-judge panel (Gary Rockwell of the USA at C, Leif Tornblad of Denmark at H, Stephen Clarke of Great Britain at M, Maribel Alonso of Mexico at B, Evi Eisenhardt of Germany at F, Wim Ernes of the Netherlands at K, and Jean-Michel Roudier of France at E) awarded Dujardin and Valegro particularly high marks for their extended trot and their two-tempi changes. The two-tempis earned four scores of 10, and their second extended trot earned three 10s. In the collective marks, Dujardin received two 10s for "rider's position and seat; correctness and effect of the aids."


Dujardin called Valegro's score, which set a new Olympic Grand Prix record, "unbelievable. I wanted to come here and have fun. I wanted to go out and show what this horse can do. It is a once-in-a lifetime-opportunity."


As the judges saw it, Parzival's highlights were his piaffe (one 10) and his passage and piaffe-passage transitions (several scores of 9.5). Cornelissen received one 10 for the "rider" collective mark.


There were no marks of 10 for Peters and Ravel. Ravel got some 9s for his extended canter, canter pirouettes, and passage; but he also earned across-the-board scores of 5 for movement 25, the flying change at X between the two pirouettes, which appeared to be late behind.


The first to go today, the USA's Tina Konyot on her Danish Warmblood stallion Calecto V (by Come Back II), put in a solid and fluent test with a few minor bobbles to score 70.456 percent. They are currently twenty-seventh individually.

Tina Konyot embraces Calecto V after their Grand Prix test. Photo by Jennifer Bryant.

"I missed a couple of my extensions in there, but overall I was very happy with my test," Konyot said. "It's just a great feeling to be here."


Despite the fact that the audience wasn't yet quite settled by the time Konyot entered the arena, the rider claimed it wasn't a distraction.


"I'm in my own zone," she said. "Someone could streak across the arena and I wouldn't notice them--well, it depends on who it is," she added.


US individual competitor Adrienne Lyle kept the occasionally explosive Wizard mostly focused and relaxed to produce a promising test that earned a score of 69.468 percent, putting them thirty-fifth in the individual standings.

Adrienne Lyle and Wizard in a lovely canter pirouette. Photo by Jennifer Bryant.

"Wizard was very amped up and on the edge, so we were trying to hold it together so he didn't get too flustered," Lyle said afterward. "He had a few mistakes just due to tension [including a break to canter during an extended trot], but I was happy."


Lyle said the 1999 Oldenburg gelding (by Weltmeyer) was pretty excited just before the pair's entrance into the Olympic equestrian stadium.


"We weren't even able to walk into the ring," she said. "We were kind of doing whirlybirds."


Lyle is thoroughly enjoying her first Olympic experience. "It was very cool going down center line, for sure!" she said. 


US team pair Jan Ebeling and Rafalca, who competed yesterday, are in thirtieth place individually with their Grand Prix score of 70.243 percent.


Besides Great Britain, Germany, and the USA, the other teams that will advance to the Grand Prix Special (the team medal final) are the Netherlands (3), Denmark (4), Spain (6), and Sweden (7). 


It will be exciting to see what the competition ahead brings. The bar has already been set in the low 80s; and later scores, especially those in the Grand Prix Freestyle, typically rise significantly. I wouldn't be surprised if we see some scores of 90-plus in the days to come.

Ebeling and Rafalca Get US Dressage off to a Strong Start

Jan Ebeling and Rafalca in the Grand Prix for Team USA. Photo by Jennifer Bryant.

Jan Ebeling said he was "very happy" with his "good ride" on Rafalca in the Grand Prix at the 2012 London Olympic Games today.

Ebeling was the eighth to ride today and the first to go for the US dressage team. The fifteen-year-old Oldenburg mare (by Argentinius) put in a steady and accurate test with just a few moments of loss of balance or a slight loss of thrust from her right hind leg to earn a score of 70.243 percent.

"I think my second pirouette started out a little bit large; she jumped off the line a bit. But overall it was great. My piaffes were really nice, and that's something that's really improved over the last couple of months. I think the frame was good: She was up, and she felt really good. She's fit, and I think she's peaking just at the right moment," Ebeling said afterward.

Other than eventing's Zara Phillips, whose royal connections enthralled the mainstream media, Ebeling is probably drawing the most mainstream-media attention focused on an equestrian at these Olympic Games. The reason, of course, is Ann Romney's part-ownership of Rafalca, which was unremarkable before her husband, Mitt Romney, decided to run for the US presidency. So Ebeling fielded the expected questions from Bloomberg News and the like about Mrs. Romney and about how he's dealing with the spotlight.

"It really ended up being a good thing for the sport," Ebeling said. "I don't really get distracted by these things. I have a pretty good way of focusing. And if I don't want to talk to anybody, I don't answer my phone!"

And yes, Anne Gribbons, Ebeling's first halt looked pretty good. (He said the coach has been on him to improve that movement.) But he admitted to almost saluting with the other hand than the one he normally uses--his one admission of nervousness.

Ebeling had to explain to the mainstream media present what "amped up" means in terms of how Rafalca felt today. It's a good thing, in case you were wondering, but "the trick is to manage it," he said.

Ebeling's good showing gets Team USA off to a solid start. Fellow team members Steffen Peters/Ravel and Tina Konyot/Calecto V go tomorrow (Tina first of the day at 11:00 and Steffen at 2:35). Adrienne Lyle/Wizard, riding as individuals, go at 12:51.

But Team GB has definitely issued the challenge, with two of its riders earning today's top scores. Carl Hester on the 2001 KWPN stallion Uthopia (by Metall) holds the lead with a score of 77.720 percent. The dark-bay stallion put in a Grand Prix test with great suppleness, relaxation, elegance, and scope.

Great Britain's Carl Hester and Uthopia lead the GP standings with 77.720 percent. Photo by Jennifer Bryant.

Close behind Hester is teammate Laura Bechtolsheimer on the 1995 Dutch Warmblood gelding Mistral Hojris (by Michellino). The 2010 Alltech FEI World Equestrian Games individual silver medalist earned a score of 76.839 percent for a test that had plenty of expression but a couple of mistakes: an early change after the extended canter and a mistake in the two-tempi changes. "Alf" looked a bit "on the muscle," and although he didn't appear resistant or stiff, Bechtolsheimer appeared to be working pretty hard, with a decent amount of weight in the reins.

Team Canada, unfortunately, is left licking its wounds after David Marcus on Capital was eliminated after the horse had a meltdown in the middle of the sudden drenching downpour that came as quickly as it went. With teams of three and no drop score, Marcus's failure to finish knocks Canada out of the team competition. Ashley Holzer, who rides Breaking Dawn tomorrow, therefore will ride only for the individual-medal qualifier and not for a Canadian team medal.

Team USA: Relaxed and Ready to Go

Jan Ebeling, Tina Konyot, Adrienne Lyle, and Steffen Peters were all smiles at the pre-competition press conference. Photo by Jennifer Bryant.

"Fun" isn't always a word associated with a press conference, but that's the word journalists were using to describe yesterday's pre-competition meeting with the 2012 US Olympic dressage team.

"That rider, Tina, she's a hoot," said one foreign journalist, referring to Tina Konyot's frank admission that she eschews regimented exercise programs in favor of "retail therapy," as she called it.

"'Oh, honey, don't do anything different,'" Konyot said her boyfriend told her after learning that there was a fitness program at the riders' training camp in England. "'Just go shopping.'"

The four riders appeared relaxed and to genuinely enjoy one another's company. Konyot would rib Peters, who would rib Konyot right back. (Asked if Peters, the Olympic veteran, was helping to keep the others' nerves at bay, Konyot quipped: "He's trying to keep me from getting any looser than I already am.")

 Jan Ebeling, seemingly unfazed by the mainstream-media spotlight trained on him thanks to Ann Romney's part-ownership of his Olympic horse, Rafalca, said he's welcomed the attention and has been trying to use it to raise awareness of the sport of dressage--that it's not just "riders trotting in circles," as he put it. Even Lyle, the youngest member of Team USA and the newest to the international scene, seemed at ease.

One can assume that the competitors wouldn't be this relaxed if they felt shaky about their upcoming performances, which begin today with the team and individual Grand Prix. And indeed all expressed confidence that their horses are going well--Konyot said Calecto V is the best he's ever been--and that their careful preparation and that of US national dressage high-performance coach Anne Gribbons has the horses peaking just at the right time.

"We showed at Aachen last year, then showed at the selection trials on the West Coast," Peters said of his mount, Ravel, "We did the World Dressage Masters in January, but I didn’t believe that the horse could stay in top shape for eight months, so he had a little break in April and May. Since then he's been great. We picked up the training a little more since he arrived in Gladstone, right after the championships. I have a very fresh horse. Today I did an extended canter and he was bucking a little bit. That's the Ravel that I had for the World Cup in 2007. That's the Ravel I had before Aachen in 2009. I'm excited that he feels this way, and I can't wait to go down center line."

The US has definitely created an "American way" of dressage, and Peters expressed pride in our reputation for horsemanship.

"We got so many wonderful compliments when we trained with [previous US national dressage coach] Klaus Balkenhol, that the American team is known for true kindness to the horse, and it's [training] always done with the most respect. To me, being competitive and on top of that hearing those compliments means the world to me."

It didn't take much prodding to get the riders to open up about their horses. Ebeling said of Rafalca: "She comes out every day and tries her best. That's what I love about her. I feel she's a horse that I can really depend on, and the effect she has on me is she makes me very calm. Of course there's a lot of pressure--this is the biggest horse show in the world--but she makes me feel, Hey, I can relax."

"He has a magnificent, sweet character," Konyot said of the stallion Calecto V. "He's a very unusual character for a stallion. He's very relaxed. They make fun of him in the stable because he sleeps all stretched out. He stretches out and gallops in his sleep. He dreams. He travels with his big teddy bear, and he plays with him in his stall. He's my pet horse that I get to take to the Olympics."

Lyle called her seven-year partnership with Wizard "an amazing journey. He's kind of a hot-tempered horse. He's a little stand-offish when you first get to know him. It's been a journey, earning his trust. He kind of has to size you up first, and you have to earn his respect. Now he's kind of my old best friend. I can read exactly what he's thinking before it happens, like, 'Oh, I know what that ear twitch means and I've got to get ahead of it and reassure him.' 

"Now he's kind of a one-woman horse," Lyle continued. "He gets mad if I lead another horse by at home; he'll pin his ears and get angry. Someone else can lead a horse by, but not his mom."

"There are two sides of Ravel," Peters said. "When we deal with him in the barn, if you dare to walk by without giving him a treat, he reacts very grumpy. He pins his ears; he doesn't do anything, he doesn't bite or kick, but there's just a lot of entitlement. We spoil him and we certainly reinforce this," he said with a smile. 

"As soon as he has his halter on, his groom, Dawn White-O'Connor, doesn't need to tie him anywhere; he ground-ties," Peters continued. Ravel also feels entitled to daily scratching sessions from Peters and will actually block the stall doorway if he doesn't feel he's received sufficient ministration, Peters said.

Peters described Ravel as a horse that likes to be "a bit by himself. He doesn't like to be with too many other horses. But as grumpy as he can be in the barn, he's so extremely generous under saddle. So sensitive, still at fourteen years old, I don't get the feeling that he doesn't want to do it or that he gets a little lazy. It's an incredible feeling, and on top of that that amazing suppleness. He's just a blast to ride. I've said many times that I feel extremely lucky to ride him."

Luck, of course, plays a role in getting to the Olympics; but as Ebeling pointed out, hard work is the driving force behind these riders' success. We're proud of them; we thank them for sharing their special bonds with their horses; and we wish them good luck and can't wait for the Grand Prix, which starts just a few hours from now, at 11:00 a.m. London time!